Attention Lab: Order of the Third Bird Fellow at Mildred's Lane

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I'm excited to be a fellow at Mildred's Lane for a week this summer to attend the Attention Lab: Order of the Third Bird session. I'll be traveling to Narrowsburg, NY through a travel grant from the Graduate and Professional Student Association (GPSA) and a tuition grant from ASU's School of Art. 

Description of the session: "Indiscreet associates of The Order of the Third Bird will continue their investigations into experimental protocols of Practical Aesthesis and methods of Sustained Attention. The Attention Lab is part guerrilla seminar and part meditative and kinetic practicum. A discipline of the senses is pursued. Beginning with available traditions and protocols of the Order, the group's aim will be to develop and test new experimental practices of attention."

"MILDRED’S LANE is a rustic, 96-acre site deep in the woods of rural northeastern Pennsylvania, in the upper Delaware River Valley, which borders New York state. It is an ongoing collaboration between J. Morgan Puett, Mark Dion, their son Grey Rabbit Puett, and their friends and colleagues. It is a home and an experiment in living. Mildred’s Lane attempts to coevolve a rigorous pedagogical strategy, where a working-living-researching environment has been developed to foster engagement with every aspect of life. 

The entire site has become a living museum, or rather – a new contemporary art complex(ity). It is now important to sidestep the debates around what is art ( or design, architecture and fashion) in order to activate these turbulent multiplicities. It is more a question of praxis and action, is it in an institution? Storefront? A gallery? Deep in the woods? At Home?

The Mildred’s Lane site is a home where the Artist/Practitioner, the Student and the Institution have collapsed roles as they attempt to coevolve with an emergent strategy. In conversations with friends and colleagues – who teach and administer theory and practice in a variety of institutions– the frustrations and limitations of conventional, visual art programs and other pedagogies become apparent. However, there is a new excitement to explore alternatives to the way we research-work-live. Mildred's Lane welcomes this "new age of curiosity" by activating connections that situate themselves at the nexus of science, methods of living, environmental activism, transhistorical and critical artistic practices."