Kimberly's research explores the implications of technology on our relationships with each other and the more than human world. Many of her projects challenge the social values historically embedded within these tools by mistranslating or subverting their conventional systems of language and logic. Moving fluidly between tangible and digital processes, her work aims to re-imagine what technology can be and who it is for.
She has participated in exhibitions and symposiums at ISEA (Gwangju, Korea); Flux Factory (NYC); International Conference on Contemporary Cast Iron Art (Berlin, Germany); Tangible, Embedded and Embodied Interaction Conference (Tempe, AZ); the Symposium for Literature, Science, and the Arts (Irvine, CA); Universidad Autónoma del Estado de México (Toluca, Mexico); Tucson Museum of Art; and the Phoenix Art Museum. She has been the recipient of fellowships and residencies at Sculpture Space, Mildred’s Lane, Elsewhere Museum, Signal Culture, and the Vermont Studio Center.
She received an MFA in Intermedia from Arizona State University and a BA in Psychology and Studio Art. Currently, she is an Assistant Professor of Sculpture & Technology at the University of Georgia.